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Posts Tagged ‘illustration’

Evelyn Gathings Rocks!

I’m extremely fond of her particular approach to the art of the paper doll. She seems to specialize in animals which just makes me like them even more.

But the real reason I’m blogging about this paper doll set now is that the little baby sister doll reminds me so very, very much of the fire-setting cat in my last post (yes, the baked apple cat). Seriously, check out that little face. That little “I’m mayhem, go ahead turn your back on me” face. This is a face I’d love to see on a Connie Smith doll.

The costumes in this set are very fine; though they look more Edwardian than Victorian to my eye. Yeah, I’m one of those historical detail people to whom the distinction Victorian/Edwardian makes a difference. Overall the colors and details throughout the set are fantastic as are the plethora of accessories.

I especially love the commentary on the costume pages. It’s borderline snarky while retaining a warm sweet surface layer. Click to enlarge the images, read it for yourself. Enjoy!

 

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First off; Milton Glaser is adorable. Really cuddley, love to have dinner with adorable. For those of you unfamiliar, Milton Glaser is a (absolutely famous) graphic designer. There are those who say he’s The Essential American Graphic Designer. He’s just plain brilliant. Do a Google image search — go ahead, I’ll wait. . .  See what I mean? But here’s the real deal: everything he does, he does thoughtfully. He doesn’t just “phone it in”, he thinks hard about what he wants to happen as a result of the imagery he designs, and he purposefully chooses to make designs that will affect a positive change.

Wha?? Yes, that’s right Virginia — simplicity done right is really, really bloody difficult.

The other day, I was in the puddle-dom zone so I turned on the TV and wow! Sundance channel was showing Milton Glaser: To Inform and Delight. So I watched it. And loved it. Now lest you, dear reader, think I’m new to the Glaser fan club; when I went to graphic arts school (an undisclosed number of decades ago) Glaser was mandatory subject material. Then in the 90’s I saw a show about him and some book project he was working on (massive brain food fix), and now this new (made last year) documentary comes along. Happy, happy little brain cells are dancing in my head, they’re having a party and I do believe that there is even cake and ice cream.

Now by this time, you are probably saying to yourself “OK, so she adores Milton Glaser, but what the heck is a Chatterling and what’s it got to do with graphic design????”.

Here’s what: Words have Power. Images likewise. Knowledge of what words mean and how to use them correctly has massive power over the ability to communicate. Which brings me to the Chatterlings.

The Chatterlings in Wordland, by Michael Lipman is a fascinating and delightful vocabulary/grammar textbook (disguised as a storybook) from the early twentieth-century. It teaches the necessity of using the most precise word possible in order to communicate what you really mean. Yes, instead of making people guess (“well, you know what I meant”), actually just saying what you mean in the first place. Wow, what a novel idea! Which requires that you learn the sometimes not so subtle difference between the meaning of different words — oh drats; that’s vocabulary — arrggh! Well, this beautiful little book does it in an entertaining, indeed enjoyable, way. Here’s the beginning of the story:

See what I mean, it’s a fun story. Oh, and a spade is a shovel with a flat, rectangular blade (not pointy). It falls into the category of all poodles are dogs, but not all dogs are poodles. It’s all about precision.

The illustrations are great, I just love the way they help to demonstrate the distinction between words that mean similar but not identical things (which is really the entire plotline of the story).

Here’s another example:

Which by the way clarifies why “Tell the Captain I am disinclined to acquiesce to his request” is such a great line. Yeah, I’m a Pirate, no surprise there.

Even the Suggested Helps section at the end is full of great stuff. Suggested Helps, what a wonderful name for what would now be a Study Guide or Teachers Guide section (how drab and off-putting). Suggested implies that a child could and perhaps should read the pages and maybe even take something away from the experience.

The world admires the man or woman who writes and speaks English correctly. Oh, how I wish that this were still widely true in America. Somewhere along the way, we lost sight of the fact that learning can be both fun and functional. That the big picture most definitely depends on the tiny details being accurate. I very much wish that someone, somewhere would bring this very useful book back into print. There are a great many children (and no small number of adults) who could greatly benefit from reading it.

Because after all, there is great power in words and their attendant images.

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Yes, it was a year ago today that I did my first post on this blog. What do I wish for in the next year of posting — more art, better health and a bit more stamina to accomplish ever more art.

In the meantime, here’s a mini gift: go read James Gurney’s blog post for today. I found it both reassuring and inspirational and I hope you will too. Here’s a hint; Thinking is really the most important part of creating any sort of art.

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Pretty sure my poor little computer is going to have to visit the doc; it’s acting especially odd and slow lately. I’m positive it’s sorely in need of at least a defrag and it could surely use some software updates. Oh well, such is life.

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dustjacket

This optimistically titled book is from my small (but distinguished) collection of vintage craft books. It was published in England in (guessing) the 1930s or 40s (it’s not dated). It contains instructions, diagrams and patterns for an large number of toys of amazing diversity of subject matter. My copy even still has the full size pattern sheet which was loosely inserted into the book.

table of contents

What a gem. You could populate an entire nursery with just projects from this book. Which given the toy shortages of the time (due to the economy and the war) was rather a necessity. The soft toys are either knitted or sewn fabric/felt, oddly there are no crocheted toys. The wood toys include a section on reed basketry and the metal toys (and other toys) includes paper/card models and crafts.

But there is another reason I bought this book and here it is:

endpaper

Fantastic illustrated endpapers! Virtually every single thing in the illustration is a project from the book. Who knew the hula girl’s boyfriend was a dog? That a monkey could be a fireman? That penguins are allowed on the bus? My very most favorite bit is Punch wreaking havoc with the crane and spilling milk all over the poor Golly, while Judy wisely makes discreetly for the exit.

Overall an entirely delightful window into the past. And terribly useful to boot.

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Yes, I realize that I’ve been having a rather rough time on the health front for the last few months; but at least this most recent blow (nasty, nasty, ugly choke-inducing head cold) seems to be fading. Hopefully I will be turning a corner towards better days and be getting back to making some art soon.

In the meantime, I’ll just be napping in the woods with a few friends. That bear is sure to have a thermos of tea with honey — whiskey is probably too much to hope for.

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Oh Yes, another old friend come home after a looong absence (thanks ebay).

We had this book in the house when I was a kid and I thought it was a scream! Which probably says something about what kind of child I was; but then again that’s not necessarily a bad thing. One image in particular stuck with me all the intervening years and when I finally got the book back into my hot little hands it was exactly the way I remembered it:

Good ol’ Doppler. I particularly love the snake’s sign: Doppler Shut Up.

and this:

and I will always, always love this one:

A lot of good it did him. Slays me, really, just lays me out on the floor.

Here’s the scoop on this book: it mixes real science with biting wit. I mean, at points, really scathing wit. Well, it was written and illustrated by Arnold Roth after all. Yes, I was more than a bit science-geeky even as a child but truthfully, this book is fantastic and I am ever so glad to have it back in my life.

Bonus points to anyone who recognized that the silly robots image I posted after the blizzard is from the endpapers of this book.

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No, I’m not planning to entertain any animals; my house is too small. However I do have a small collection of vintage sourced images of animals entertaining themselves. They seem pretty darn good at it too.

Animals having a picnic

The bright flat area colors and simple outlines of this picnic scene rescue it from being overly precious. The interesting (almost faerie-ish) tree and the old-fashioned peddlers wagon are great elements in themselves but in the case of this image they also serve to contain the scene; giving it an intimacy of setting that it would not otherwise have.

Cat and Pig Dancing

One of the best parts of an outdoor summer party is the dancing. That pig is a snappy dresser and the cat is exceedingly light on her feet. Please take notice of the two little bugs enjoying the action.

Animals having a tea party

This somewhat more sedate tea party has an autumnal look to me. All the earthtones and the very confined area of the composition suggest everyone has squished up inside to be cozy. I imagine this party is quite loud, with everyone talking at once. Rabbit seems to be wondering if the tea supply is going to run out and I really don’t fancy the way Cat is eyeing poor Squirrel who just wants to eat his jam tart in peace.

Animals dancing in a winter scene

Lastly here is a bunch of wild, crazy animals having an outdoor winter free-for-all festival. Obviously too much scrumpy has been consumed, and in a rather short time span. Look at the raccoon at the far left (behind the woodchuck); by the look of him he’s drawn the short straw to have to get Possum home safely.

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Hidden Depths

I was reading the new issue of Hi-Fructose (vol. 18) over the weekend, specifically I was reading the interview with Ray Caesar and was shaken by the intense, deeply honest things that he said. Things about both his life (which hasn’t been anything remotely resembling a picnic*) and about his work.“Think of my pictures as a sanctuary where one can take out a small piece of pain and allow it to be free.” Giving this interview in such a truthful way is the act of a very courageous person. Kudos, Ray!

Sleeping by Day

One of the more poignant practices that Ray incorporates into his work are hidden images or objects. Actually, literally hidden, as in tucked away in a box or a drawer. For those of you who aren’t familiar with his stunning images; Ray works in 3-D software, creating the components of his paintings in a virtual world. And he likes to hide things in that virtual world that are, technically speaking, not there in the final printed image.

This concealment of things in hidden spaces, now, several days after reading the interview reminded me of this book:

Egyptian Jukebox by Nick Bantock

The Egyptian Jukebox by Nick Bantock.

This particular Bantock volume is about a museum cabinet of drawers configured as a jukebox. It has ten drawers each filled with objects and accompanied by a clue. The story of the jukebox and solving the contained riddle are quintessential Nick Bantock.

Egyptian Jukebox drawer 1

In a very real way we are all like a cabinet of drawers, the content and configuration of objects determined by who we are, what we have done. . . what we are going about doing.

Egyptian Jukebox drawer 3

I have often thought it would be lovely fun to make one of these museum cabinets or collectors boxes in an actual real world, hold-it-in-your-hands, be able to touch and contemplate it way. Choosing/creating each object for it’s texture, it’s color, it’s size; all to reflect the character for whom the box is being made.

Egyptian Jukebox drawer 7

There exists an entirely human fascination/dread of that which is hidden, that is concealed in layer within layer of drawers and boxes.

Is it delicate and beautiful?

Does it ooze?

Will it bite?

Egyptian Jukebox drawer 10

I seldom do delicate but I have done a certain amount of beauty.

I’ll leave the oozing to others (at least for the moment).

I make no promises whatever about biting.

*Not the sort of picnic that anyone (outside of a horror film) would actually even think wanting to attend.

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